Alice Morgan is a Sydney/Eora-based saxophonist and musician recognised for her vibrant artistry and her unwavering commitment to contemporary live performance. From classical to experimental, her passion for music shapes her dynamic work as a performer.

Described as “sublime, full of colour and life” (Stuart Greenbaum), Alice is known for championing Australian music, having premiered and recorded works by leading composers including Holly Harrison, Paul Stanhope, Stuart Greenbaum, Elizabeth Jigalin, Alice Chance, Damien Ricketson, Kirsten Milenko, Katia Geha, and Andrew Howes.

Since her nomination for the renowned Freedman Fellowship, Alice has become a prominent voice in the Sydney music scene. She performs extensively with the Sydney Symphony Orchestra as Guest Principal Saxophone, has appeared as concerto soloist with the Resonance Ensemble in Tony Ryan’s Concerto for soprano saxophone and orchestra and with Ensemble Apex in Ibert’s Concertino da Camera, and has premiered numerous Australian chamber works in eclectic ensembles with Ensemble Offspring

Alice has a particular affinity for chamber music. She was named Ensemble Offspring’s Hatched Associate Artist in 2024, and is a regular collaborator with the Bowerbird Collective. As a chamber musician she has appeared in concerts across Australia, including the world premiere of Andrew Howes’ The Eyes of the Earth for saxophone and string quartet at the Lyrebird Festival. Later this year, she will perform on King Island for the Moonbird Festival with the Bowerbird Collective and accordion virtuoso James Crabb.

Alongside her performing career, Alice is an experienced producer and orchestral manager as one of the founding members of Ensemble Apex. She has been a loyal part of the production team for many of their successful concerts, ranging from RUEL x Red Bull Symphonic to Verdi’s Requiem at Judith Neilson’s Dangrove.

“As a composer it’s a real joy to hear someone convey your intentions perfectly whilst also bringing their own artistic voice. So engaging!”

— Jenni Watson